CCAC News, student publication, Number 3 Septmber 3, 1970
Catalog for the CCA Exhibit "25: Celebrating 25 Years of the Barclay Simpson Award", 2012
Nomination Form, to the United States Department of the Interior National Park Service, submitting the Treadwell Mansion and the Carriage House to be considered for inclusion on the National Register of Historic Places
The MFA in Writing program’s Digital Storytelling course, taught in spring 2016 by Faith Adiele, brought together graduate writers, artists and makers to hone their narrative skills and develop their own digital projects. The Bay Area is the center of electronic and digital literature (literary work created exclusively on and for devices with screens) and storytelling, but while the dazzling technologies may be new, interactive storytelling is one of the earliest forms of human interaction. We explored e-lit's antecedents and traditions, ranging from non-Western traditions like the griot, talk-story, and testimonio, to the democratized oral history movement of the 1970s; from the physicality of Book Arts to platforms and networks that offer open-source, global activist alternatives to pricey technology. The course was open to all grad students and had participants from Architecture and Design MBA. They received training from Yosmay del Mazo of StoryCorps, Thaddeus Howze of Quora, Chieh-Ju Pai in the Film…
A selection of works by poet David Meltzer curated by Lisa Conrad to coincide with a reading of his work, Friday, September 4, 2015, Writers’ Studio, San Francisco Campus. David Meltzer began his literary career during the Beat heyday and is considered a major figure in the San Francisco / Beat Renaissance. Meltzer's reading at CCA centered on the recent reissue of a special edition of Two-Way Mirror (Oyez 1977). It returned with a new introduction and an ample addendum written almost 40 years later.
Entrance to the Oliver Art Center, CCA Oakland Campus, 2018 .
Photographic documentation of the HOME: Making Space for Radical Love and Struggle exhibit at the Oliver Art Center, CCA Oakland Campus, April 9-April 20, 2018 .
Postcard for the Crown Royal Kinetic Contraption Competition at North Gallery 1700 17th Street, San Francisco, April 30-May 5, 1990.
Ken Davids talks about his contributions to the major transition at CCAC in the early and mid 80s. He identifies the problems that CCAC faced in the late 70s: budget and enrollment crises, accreditation issues, and discusses the changes he played a part in that allowed the institution to thrive again. These include: starting the Extension Program, implementing increased marketing, introducing the Core Program, and working on budget and salary cuts in a year long retrenchment that by 1984 had turned the college around. He discusses the end of Harry Ford’s presidency and working with succeeding presidents Toby Schwartzburg and Neil Hoffman and about how he views the college today, in 2014.